(New to the book? Here’s what it’s about.)
The city-state Sirapirat once knew only warmth and monsoon. When the Winter Queen conquered it, she remade the land in her image, turning Sirapirat into a country of snow and unending frost. But an empire is not her only goal. In secret, she seeks the fragments of a mirror whose power will grant her deepest desire.
At her right hand is General Lussadh, who bears a mirror shard in her heart, as loyal to winter as she is plagued by her past as a traitor to her country. Tasked with locating other glass-bearers, she finds one in Nuawa, an insurgent who’s forged herself into a weapon that will strike down the queen.
To earn her place in the queen’s army, Nuawa must enter a deadly tournament where the losers’ souls are given in service to winter. To free Sirapirat, she is prepared to make sacrifices: those she loves, herself, and the complicated bond slowly forming between her and Lussadh.
If the splinter of glass in Nuawa’s heart doesn’t destroy her first.
One of the most important things for me was that the cover absolutely must feature an East Asian woman, which makes the process… tricky. Most art of East Asian women is a fetishistic nightmare, racist caricatures, or stereotypical (dragons, kimonos or what have you). The state of representing East Asian women is rather specific, and specifically awful. The majority of fantasy art of East Asian women is also, inevitably, in traditional getups (kimonos, hanfu, etc) which don’t at all suit Winterglass (it is, after all, not set in the fantasy equivalent of either China or Japan). That’s when it’s not women in skimpy ‘Chinese-inspired’ outfits with boob windows ala Jade Empire.
Looking for ‘inspiration’ or ‘mood board’ images I came across these promotion shots of the Chinese fantasy drama (incredibly named) Ice Fantasy.
Cool, but not quite what I’m looking for. The girl in the first is, well, too soft for lack of a better word. I wanted something icier, more aloof. Still, they looked nice and I set them aside in the ‘this is the sort of thing I’m looking for’ folder.
I’ve always liked Anna Dittman’s work: her East Asian women are beautifully painted and dignified. These two were favorites, Bauhinia and Lantana. The piece we used for the cover of Winterglass is just the right kind of icy and aloof, I felt, and perfect for the mood I want to convey. Mikio Murakami’s work on the title graphic pulls the entire cover together, I think, and it’s basically flawless.
The book should be up for pre-order soon and is slated for December release.