When she comes we scatter coins before her, every disc polished, some so new they are still warm from the making. She walks bare-footed but does not seem hurt or troubled by this gleaming path. I catch her smiling from the corner of her mouth as she treads on these symbols of wealth, the luster and hard glint of Tarangkaya’s prosperity.
She is robed tightly, cerise brocade and propolis sash. Her scalp, shaven in the fashion of her country, is painted in red ink with the calligraphy—again her country’s—signaling luck, fertility, a hundred children.
I am similarly patterned, from the back of my head to my brow, my bare shoulders and my arms, as my skin makes for good canvas. In retrospect perhaps I should not have been there, a foreign and startling sight to the foreign and startling bride. But the household’s bulwark must preside, like a pillar or statue. I even gleam like one, mostly celadon and the odd tracery in umber and old ivory, the shades of my skin back when I was still mostly skin.
‘No Pearls as Blue as These’ is a story that I cheerfully, and very intentionally, advertise as ‘What if Attack on Titan, but lesbians‘ (and without the weird glorification of fascists). Also, of course with characters of color rather than a mostly-white cast.
I’m very resentful about what happens to Ymir, by the way. You know what I mean. We always know what it means when a lesbian couple is bound for tragedy, and we’re given a little bit of hope, a bone thrown here and there. But then the inevitable happens and tragedy strikes anyway. Sometimes it’s done tastefully, more or less, but most often (when written by men in particular) it’s just nasty. Predictable, but nasty.
Before season two, I’d heard before that Attack on Titan has a lot of uncomfortable overtones, in particular with regards to its militaristic glorification and something that flirts uncomfortably with fascism, and not exactly as a critique of it. The first season of the show didn’t seem to lean on that too much, so I didn’t think too long on it; season two is somewhat more overt, and it became oddly… uncomfortable to watch. After learning what happens to the one and only lesbian couple in Attack on Titan, it’s just about soured the series completely for me. Which is a shame, and it’s also a shame that we’re so desperate for any sort of lesbian representation that we eagerly chase scraps. That comes to why I will always center queer women in my work, and why for me writing what I want to read is an especially charged thing.
Charles at Quick Sip Reviews reviewed the story here.
The emotional beats are strong and I love the food elements, the way that poison is used, the way that sex and sensuality are used. It’s a great story and you should definitely check it out!
Bridget at SF Bluestocking also has a kind word!
The major draw for me in #232 was a new story by Benjanun Sriduangkaew. “No Pearls as Blue as These” is a gorgeously clever queer romance with a great setting, a fascinating protagonist and a nicely hopeful message that makes it pretty much exactly the sort of thing I want to read these days.
Also, a couple readers livetweeted reading this story from reading the BCS issue before the story went up for free. Hella cool, and I always appreciate this.
— Claire, Cabal Minion (@waitworry) August 10, 2017
I think @benjanun_s has outdone herself with fictional obscurantism in No Pearls As Blue As These…
— J. Moufawad-Paul (@MLM_Mayhem) August 10, 2017